<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" href="https://www.appliedmusicology.org/wp-sitemap.xsl" ?>
<urlset xmlns="http://www.sitemaps.org/schemas/sitemap/0.9"><url><loc>https://www.appliedmusicology.org/2022/07/10/articolo-esempio-call-for-papers/</loc><lastmod>2022-12-11T14:07:01+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2022/11/12/basso-continuo-in-italy-sources-pedagogy-and-performance/</loc><lastmod>2025-12-05T15:44:00+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2022/11/12/music-body-and-embodiment-new-approaches-in-musicology/</loc><lastmod>2025-01-11T16:19:10+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2022/11/11/figured-bass-accompaniment-in-europe/</loc><lastmod>2025-12-09T12:23:00+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2022/11/12/transcending-nationalism-music-in-russia-and-east-central-europe-at-the-turn-of-the-19th-century/</loc><lastmod>2022-12-01T13:43:31+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2022/11/12/gender-sexuality-and-eroticism-on-the-lyric-stage/</loc><lastmod>2022-11-19T10:41:57+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2022/12/01/278/</loc><lastmod>2025-12-05T15:43:00+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2022/11/19/sicut-in-caelo-et-in-terra-commissioning-and-production-of-sacred-music-in-italy-from-the-middle-ages-to-today/</loc><lastmod>2023-11-17T10:09:15+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2022/11/18/musical-interpretation-and-performance-from-the-xixth-to-the-xxist-century/</loc><lastmod>2026-01-16T12:18:54+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2023/09/25/analysing-rhetoric-beyond-figures-voice-intonation-and-discourse-in-instrumental-music-from-the-18th-century-onwards/</loc><lastmod>2026-01-16T12:15:42+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2023/11/17/music-criticism-and-racial-discourses/</loc><lastmod>2026-01-16T15:21:27+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/01/11/musical-modernism-and-its-art-worlds/</loc><lastmod>2025-10-01T13:16:00+02:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/01/11/childrens-music-in-the-nineteenth-century/</loc><lastmod>2026-01-16T12:06:48+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/01/11/o-felix-roma-palestrina-and-his-roman-contemporaries/</loc><lastmod>2026-01-16T12:33:51+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/01/11/early-music-pedagogy-then-and-now-from-the-classical-antiquity-to-the-renaissance/</loc><lastmod>2025-12-09T12:23:45+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/01/11/embodied-musicology-ways-that-embodiment-shapes-performance-and-reception/</loc><lastmod>2025-12-09T11:17:35+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/05/27/giocomusica/</loc><lastmod>2025-12-03T16:43:53+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/05/27/maninpasta-e-sullacitta/</loc><lastmod>2025-12-03T16:42:18+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/05/27/cinemerenda/</loc><lastmod>2025-12-03T16:39:54+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/09/08/beyond-corelli-geminiani-and-the-instrumental-music-of-his-time/</loc><lastmod>2026-06-12T14:13:59+02:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/09/07/philosophical-hermeneutics-and-musical-interpretation/</loc><lastmod>2026-05-28T09:41:05+02:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/08/06/the-reception-of-the-wiener-klassik-in-central-europe-in-the-long-nineteenth-century-legacy-perspectives-and-influences/</loc><lastmod>2026-01-16T14:04:23+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/08/02/beyond-corelli-geminiani-and-the-instrumental-music-of-his-time-2/</loc><lastmod>2026-03-29T12:36:32+02:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/12/03/the-body-in-musical-performance-knowledge-gesture-and-identity/</loc><lastmod>2026-05-10T09:36:28+02:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/12/05/soundscapes-of-histories-entwined-food-and-music-1400-1850/</loc><lastmod>2026-01-16T12:07:28+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2025/12/02/musical-rhetoric-beyond-figures/</loc><lastmod>2026-05-10T09:34:25+02:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2024/01/16/performance-practices-and-architectural-spaces-of-the-italian-madrigal/</loc><lastmod>2026-01-16T12:32:20+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2023/09/16/the-theatre-of-death-noble-funerals-with-music-in-early-modern-europe/</loc><lastmod>2026-01-16T12:31:40+01:00</lastmod></url><url><loc>https://www.appliedmusicology.org/2023/11/11/the-romantic-cello/</loc><lastmod>2026-01-16T15:19:16+01:00</lastmod></url></urlset>
